{"title":"Poetry","description":"","products":[{"product_id":"the-divine-comedy-dante-inferno-purgatorio-paradiso-vintage-classics","title":"The Divine Comedy: Inferno, Purgatorio, Paradiso","description":"\u003cp\u003eThe complete Divine Comedy (Inferno, Purgatorio, Paradiso) in one volume from Vintage Classics. The greatest poem of the Middle Ages, in the standard Carlyle-Okey-Wickstead translation, with full notes.\u003c\/p\u003e\u003cp\u003eDante’s Divine Comedy relates the allegorical tale of the poet’s journey through the three realms of the dead. Accompanied through the Inferno and Purgatory by Virgil—author of the Roman epic the Aeniad—Dante encounters mythical, historical, and contemporaneous figures in their respective afterlives. Relying on classical (pagan) mythology and Christian imagery and theology, Dante imagines diverse vivid and inventive punishments for the various sinners he encounters, which have become part of the Western imagination.\u003cbr\u003e \u003cbr\u003eUpon their approach to Paradise, which as a pagan, no matter how worthy, the Latin poet cannot enter, Virgil relinquishes his role as guide to Beatrice. 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The title poem ‘Formica’ is subtle yet so rich with imagery that it brings to mind a compressed Alice Munro story.” — Fiona Kidman\u003c\/p\u003e\u003cp\u003e“Each poem in Formica tells a story that grabs you with its pace, perception and delicious detail. Together, they offer a picture of an entire cohort of Kiwi women growing up in the 1950s and 60s. I love this book: so idiosyncratic, yet so nostalgic.” — Rachel McAlpine\u003c\/p\u003e\u003cp\u003e'Formica' begins in 1950s Richmond with the author’s family struggling in the aftermath of a war that took her father to Crete to fight and then Poland as a prisoner of war. At the Formica kitchen table, Maggie’s mother is reciting poems while chopping the veggies for tea. Maggie listens while tying her boots for marching practice. 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K. Rowling. ‘Women who speak have always been monstrous. That twisty sphinx, those tempting sirens; better plug your ears with wax, boys.’ Where are the female philosophers? Why are women silenced? Who can tell us how to live? In her fourth collection of poetry, Helen Rickerby takes readers on a journey into women’s writing, a quest for philosophical answers, and an investigation of poetic form. The poems in How to Live engage in a conversation with ‘the unsilent women’ – Hipparchia and George Eliot, Ban Zhao and Mary Shelley. They do so in order to explore philosophical and practical questions: how one could or should live a good life, how to be happy, how to not die, how to live. 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Here as in the Wild Iris there is a chorus, but the speakers are entirely human, simultaneously spectral and ancient. Winter Recipes from the Collective is chamber music, an invitation into that privileged realm small enough for the individual instrument to make itself heard, dolente, its line sustained, carried, and then taken up by the next instrument, spirited, animoso, while at the same time being large enough to contain a whole lifetime, the inconceivable gifts and losses of old age, the little princesses rattling in the back of a car, an abandoned passport, the ingredients of an invigorating winter sandwich, a sister’s death, the joyful presence of the sun, its brightness measured by the darkness it casts.\u003c\/p\u003e\u003cp\u003e“Some of you will know what I mean,” the poet says, by which she means, some of you will follow me. 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